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Q&A with Krista Kim, DeeKay Kwon, and Grant Yun


As we eagerly await the arrival of The Gateway Korea, we invite you to hitch us on the journey to our flagship occasion going international. The Gateway will function an audio-visual gallery the place artwork, expertise, and neighborhood unite. Attendees can even be capable of have interaction in fireplace chats with visionary creators worldwide, representing each Western and Japanese cultures.

As we’re on the highway to Korea, we’ve interviewed among the greatest Korean creators within the Web3 house who will likely be exhibiting on the occasion, every pioneering their inventive journey in distinctive methods.

080723 Twitter Spaces Editorial Graphic feature
Credit score: nft now

First, we now have DeeKay Kwon, the prodigious 2D animator from South Korea. With over a decade of expertise in animation, DeeKay ventured into the NFT house 2.5 years in the past, pushing the boundaries of conventional artwork and exploring new horizons throughout the digital realm.

Subsequent, we now have Krista Kim, a Canadian Korean who has spent 13 years dwelling in Seoul and different elements of Asia. Her inventive expression delves into meditative portray within the digital age, the place she skillfully merges expertise as a mechanism for wellness, bringing concord and serenity to the ever-evolving digital panorama.

Grant Yun, a Korean American born and raised in Southern California, completes the trio of influential creators. Grant’s work creates extraordinary from the atypical, creating artwork that displays simplicity and a focus to element.

Collectively, these artists are shaping the way forward for artwork within the Web3 house and embodying the essence of cultural variety and creativity that The Gateway seeks to have fun.

In a conversational Twitter Space, nft now sat down with Krista Kim, Grant Yun, and DeeKay Kwon to dive into their Korean identification, what they’ll be showcasing at The Gateway in Korea, and Korea’s influence on international tradition.

nft now: How has your Korean-American heritage influenced your artwork?

Deekay: Effectively, I grew up half of my life in Korea and the half in America. So, this background has influenced me so much as an artist. I consider my model of artwork, which you recognize, individuals discover very cute, aesthetic, and nostalgic, it’s undoubtedly influenced by Korean tradition. And the simplicity of design is influenced by America. I went to graphic design faculty, so I believe that’s an enormous affect there, too.

Grant: So each my dad and mom are Korean, however my dad moved to America when he was mainly like one 12 months outdated. It’s been fairly cool to, you recognize have a guardian who’s like identifies as Asian American, Korean American. After which after all my mother, got here to America shortly after marrying my dad. Korean was truly my first language after I was rising up and I lived in Korea for somewhat bit as a younger child and would journey fairly a bit. My mother and my aunt who each helped elevate me had their Masters in Artwork. Rising up, simply seeing their work on the partitions, which had been largely reflective of Korean traditions was actually inspiring to me.

Krista: My dad is a Supreme Grandmaster of Taekwondo, so he truly pioneered Taekwondo in Canada. He was an actual affect on me in studying about Korean tradition. He taught me and my two youthful sisters martial arts. I keep in mind studying the right way to meditate, the ethics codes, the self-discipline all of that was very very formative for us rising up. So for me, my artwork as a meditator, bringing Japanese philosophy and that mix of east and west is really what I’m doing. I’m reinterpreting what I’ve grown up with.

nft now: What is going to you be showcasing at The Gateway Korea?

Deekay: My current one-of-one offered by way of AOTM referred to as, ‘Am I Dreaming?’ It’s mainly a self-portrait that visualizes how I spend most of my time. I’m normally, like alone at the hours of darkness, you recognize, continually fascinated by concepts and making an attempt to deliver them to life. It’s a combination of battle, enjoyment, and sleepiness and I normally work so much throughout like very late hours. Quite a lot of the time, I run right into a wall and doubt myself typically, after which like I take a brief nap. I wished to visualise that and animate that in some way. In order that’s how I got here up with the MI dreaming piece.

Krista: The primary piece I’m displaying is ‘Continuum,’ which is a chunk that’s kind of touring world wide. I created it again in 2017, and it first began below a special identify, ‘Eight by 8.’ I wished to create this huge display screen activation as a public artwork set up for meditativeness and therapeutic. It’s displaying, after all, in Gateway and Seoul, however I simply did Tianjin, China, at Summer time Davos for the World Financial Discussion board. Will probably be displaying once more in Davos, Switzerland, for the convention in January. So it’s actually gaining momentum and going world wide as a message for, you recognize, bringing individuals collectively within the digital realm.

The opposite piece that I’m displaying on a smaller display screen is known as ‘Resonance.’ It’s a slowly revolving tough diamond as a result of I see all of us as treasured. And we’re all diamonds. We’re tough diamonds, and diamonds are created below stress.

Grant: The piece has the phrase LA in it for Los Angeles, and it’s actually sort of a mirrored image of rising up in California, I grew up within the Bay Space. However you recognize, oftentimes, we’d go all the way down to SoCal, particularly LA. We had buddies and never household, however we now have very shut buddies there, all Korean as effectively. And LA is without doubt one of the greatest hubs for Korean People in the US. And so after I wished to share a chunk for The Gateway that will be showcased in Korea, I wished to share work near dwelling as a Korean American. There’s a distinctive tradition to Koreans right here in America and people who are looking for a special identification aside from those that are native to Korea itself. For others, it might simply be a panorama illustration of Los Angeles. And so it’s actually what you’re taking from it. However for me, it’s somewhat bit extra private.

nft now: Korea is at present experiencing a second of worldwide cultural crossover. Why do you suppose that’s?

DeeKay: I believe Korea at all times has been on the entrance forefront of the expertise tendencies, it simply feels fairly pure for Koreans to try to adapt to new issues in expertise, as you recognize, as people transfer ahead into the longer term. Moreover, Korean tradition had a big affect worldwide akin to Okay-pop, Korean films, Korean delicacies, style, and all that.

Krista: The best way I take a look at it now, it’s actually lovely to see how my youngsters are so comfy and so glad making buddies. And yeah, it’s far more multicultural and far more international. And I believe that with digital expertise, much more so. So I consider in additional fluidity, and particularly cultural fluidity due to the expertise that youngsters at the moment are uncovered to.

Grant: I believe this motion of Korean tradition spreading throughout the globe is, I finally do suppose it’s only a results of the nation creating because of Westernized subsidization, you recognize, following the Korean Conflict. However I believe Korea has finished a very good job at benefiting from all of the alternatives that it’s been given. They’re additionally fairly a superpower in relation to packaging culturally related issues for the remainder of the world to digest, within the type of music and movie.

This interview transcript has been edited for concision and readability.

For the complete and uncut interview, hearken to our Twitter Space.





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